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The Pack Is the Painting: Evil Biscuit and the Schizocollage Movement Come to Hong Kong
In 1956, at an exhibition hall in Tokyo, a Japanese artist named Saburō Murakami ran through a row of paper screens, leaving a torn, human-shaped hole in each one. The audience heard the rip in the moment but likely didn’t understand it. Murakami belonged to Gutai, the radical postwar avant-garde collective whose members painted with
This post The Pack Is the Painting: Evil Biscuit and the Schizocollage Movement Come to Hong Kong first appeared on Bitcoin Magazine and is written by Dennis Koch. Bitcoin MagazineRead More
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